Skip to main content

Artist Talks: Kate Powell

I first saw the work of Kate on thestudentartguide, where her work was featured. I was amazed at her technical ability and skill in showing narratives and emotion. I'm the same age as Kate and I think the way she has built up a following and how she chooses to showcase her work is something to aspire to. Her confidence and willing to change as an artist is something that I think people should respect. Since finishing her foundation she now has a place to study Illustration at Edinburgh, which I am very jealous about! Kate has very kindly answered some questions about her practice as I wanted to learn more about her working method and artist inspiration.

What has going to art school taught you so far about you as an artist?
It taught me that I was wrong about wanting to do fine art and that I'm much more suited to illustration, it's taught me not to take art so seriously, that things don't always have to be perfect and that if everyone's happy with what you're doing then you're not pushing hard enough.




 Where do you go for inspiration?
I get my inspiration from looking through other people's works and seeing how my mind responds to their ideas, how I can take them and make them my own. As Bowie said "The only art I'll ever study is stuff I can steal from". I get most of my ideas from thinking about other people's ideas. I'm inspired by the lyrics and song titles of bands I listen to, along with quotes - I like illustrating tiny phrases and try to think how I can portray a word visually. I'll sometimes be inspired to create work responding to an issue I'm concerned with (although I haven't felt brave enough to produce political work yet) but most of the time I just draw what I listen to, what I see, what I think, what I'm feeling.



What do you find the biggest struggle being a creative individual?
It's sometimes a struggle to just get the work down onto paper, there's a lot of pressure, it's not like you're learning or revising something, you're producing something from scratch from deep within your soul and it can be strangely exhausting

How do you market yourself as an artist online?
I just make sure that when I make a drawing I post it EVERYWHERE (Facebook, twitter, Tumblr, Deviantart, redbubble, society6, Instagram) so as many people can see it as possible, and regularly share and link these pages together to help reach a wider audience, there's nothing wrong with shameless self promotion


What's been your favourite work you've created? Talk us through the piece/project?


This is my favourite drawing so far, it is most representative of what I'm about as it's a self portrait so it feeds my ego and connects me directly to my work, it's expressing a feeling that resonates with me almost every time I try to draw (wanting to make 'deep' emotive pieces but them turning out simply looking pretty) and it's illustrating a pre-existing idea (in this case, a quote) which is, as an illustrator, and example of what my career is going to be like for the upcoming years.


What's been the best exhibition you've been to?

My favourite exhibition so far was The Portrait in Vienna 1900, it included work from Klimt 
and Schiele who I adore - there was an unfinished late painting by Klimt and you could see his penciled sketch before he had time to apply the paint, it was magical and very real.


I want to thank Kate for letting me interview her about her work. All images are from her Tumblr page. 
https://www.facebook.com/KatePowellArt?fref=ts 
http://katepowellart.tumblr.com


Comments

Popular posts from this blog

Artist Talks: Sophie Eliza

I first saw Sophie's work on Instagram, she has recently graduated from Falmouth University. I love her use of colour and shape combination in her collages. She has a great eye for combining these to create striking pieces of work. I caught up with her to learn more about her influences and why she loves to create work.  What have you learnt about yourself while studying at Falmouth University? I found out what really drives my art. Before I started, I was very confused and didn't really know what I was trying to communicate. The second year of uni came around and I suddenly felt I knew what it was all about. Collage just kind of erupted everywhere.  This is my favourite piece of Sophie's work. I think the combination of found imagery and colours works so well together.  What artists/designers influence your practice? Well, lets start with the big names... Kandinsky, Josef Albers... Bridget Riley.  Composition , colour... they're just all so inspirational i

Artist Talks: Phoebe Atkey

Phoebe Atkey is a talented artist whose work I first saw on Instagram. Her commitment and enthusiasm for the arts is very inspiring. Her detailed drawings and attention to detail is what makes her stand out. Phoebe currently has over 25,000 followers in Instagram where she often uploads work. I interviewed Phoebe to gain more of an insight to her interests and how she creates such beautiful works using a variety of media. How often do you draw?  I try to draw everyday, even if it is just 15 minutes. What artists influence you?  I have always been interested in children’s book illustrations especially those of Quentin Blake and Ernest Shepherd. These two artists inspired me to draw from a very young age. As I have got older, I have also become interested in the works of Saul Bass, Herbert Leupin and Paul Rand. Do you see yourself going to Art School?  I would like to try getting into the industry without going to uni. However, I am lucky to live near an extremely good a

Phyllida Barlow at the Fruitmarket Gallery, Edinburgh

I've spent the last week in Edinburgh where I visited some great exhibitions. I went to to my favourite gallery in Edinburgh, The Fruitmarket Gallery. The first exhibition I saw here was by the Artist Gabriel Orozco. His work has had a huge impact on my own practice, his use of shape and colour really intrigued me. Upon first seeing the display of Barlow's work I was struck at how the gallery had made amazing use of the space. Her work is dominating and powerful.                                  'Set' at the Edinburgh Fruitmarket Gallery 2015                                                         Her use of materials was very clever and the combination of plastic, paper and wood etc. showed a great contrast making each individual element stand out. I was enticed all around the gallery space as the sculptures connected from room to room and even spilling out into the upstairs of the gallery space. There was a really fluidity to how the exhibition has been presen