Skip to main content

Pressing Matters, Printing Magazine Review

Something exciting landed through my letter box a couple of weeks ago. A new exciting magazine has entered the art world. Pressing Matters, a new magazine focussing on process and passion behind printmaking. While printmaking has been a major component of my practice for the last 2 and a half years, there has been a limited community with how I can share my work and meet other printmakers.

While the studios at University have been a great place to meet people and share ideas with work and learning new skills, the internet//Instagram has been where I've found a lot of other printmaker folk.

I thought I would share my thoughts on the magazine and some of my favourites. Stick around for all things etching, screen printing and more.

The magazine is buzzing with the notion of what printmaking is all about, I think the creator have been very thoughtful in the terms of who this magazine is targeted at. While the likes of me (someone who gets a little bit excited by the smell of white spirit and etching ink) there is also a growing audience to make aware of what printmaking is all about.

I think it is so important to learn from other creatives and how they see the world. We are all part of the same creative industry and helping inspiring others, whether this be through support or bouncing ideas off each other. It's vital to give people the confidence and drive to push their work.



Some images (excuse awkward hand) of the magazine


There is a real honesty with how the people have been interviewed about their practice. As the reader I felt very much on the same level as the makers and I think this is important to make the work more accessible to people. Printmaking is very much process driven and the physicality of it is why I keep going back for more. The ethos of the magazine and the importance of passion for a process if very much recurrent throughout! 


I won't give too much away because the magazine is something to appreciate physically. 

Check out the magazine here

Comments

Popular posts from this blog

Artist Talks: Sophie Eliza

I first saw Sophie's work on Instagram, she has recently graduated from Falmouth University. I love her use of colour and shape combination in her collages. She has a great eye for combining these to create striking pieces of work. I caught up with her to learn more about her influences and why she loves to create work.  What have you learnt about yourself while studying at Falmouth University? I found out what really drives my art. Before I started, I was very confused and didn't really know what I was trying to communicate. The second year of uni came around and I suddenly felt I knew what it was all about. Collage just kind of erupted everywhere.  This is my favourite piece of Sophie's work. I think the combination of found imagery and colours works so well together.  What artists/designers influence your practice? Well, lets start with the big names... Kandinsky, Josef Albers... Bridget Riley.  Composition , colour... they're just all so inspirational i

Artist Talks: Phoebe Atkey

Phoebe Atkey is a talented artist whose work I first saw on Instagram. Her commitment and enthusiasm for the arts is very inspiring. Her detailed drawings and attention to detail is what makes her stand out. Phoebe currently has over 25,000 followers in Instagram where she often uploads work. I interviewed Phoebe to gain more of an insight to her interests and how she creates such beautiful works using a variety of media. How often do you draw?  I try to draw everyday, even if it is just 15 minutes. What artists influence you?  I have always been interested in children’s book illustrations especially those of Quentin Blake and Ernest Shepherd. These two artists inspired me to draw from a very young age. As I have got older, I have also become interested in the works of Saul Bass, Herbert Leupin and Paul Rand. Do you see yourself going to Art School?  I would like to try getting into the industry without going to uni. However, I am lucky to live near an extremely good a

Phyllida Barlow at the Fruitmarket Gallery, Edinburgh

I've spent the last week in Edinburgh where I visited some great exhibitions. I went to to my favourite gallery in Edinburgh, The Fruitmarket Gallery. The first exhibition I saw here was by the Artist Gabriel Orozco. His work has had a huge impact on my own practice, his use of shape and colour really intrigued me. Upon first seeing the display of Barlow's work I was struck at how the gallery had made amazing use of the space. Her work is dominating and powerful.                                  'Set' at the Edinburgh Fruitmarket Gallery 2015                                                         Her use of materials was very clever and the combination of plastic, paper and wood etc. showed a great contrast making each individual element stand out. I was enticed all around the gallery space as the sculptures connected from room to room and even spilling out into the upstairs of the gallery space. There was a really fluidity to how the exhibition has been presen