Skip to main content

New Work #2

I have been back in Falmouth for around a month now. A lot has happened and it's taken me ages to settle in properly. The term has started with a lot of representational drawing, life drawing and improving my technical ability. I have loved this and have grown in confidence with drawing outside and in front of people. The amazing thing about the Drawing course at Falmouth is that everyone, years 1 to 3 feels like one big family. The course is small and we are able to walk around and see what others are working on. This is very inspiring as it is great to see how others are developing their practice. 

The second years recently put on and exhibition of their work from a recent project about the emergent process. I was really inspired by a collaboration between 3 of the students. The use of media and scale of the piece has given me a lot of ideas. 

                                      
Work by Hilda, Kayleigh and Sam 

As well as being busy with the course I have also had some time to be back in the print room. It feels so good to be back in the studio environment. I'm still very much interested in mark-making and the role this plays within my practice. 

Below is some recent work I have created since being back at University. 


Monoprints 


Line drawings of Falmouth


Line Drawings of Woodlane

Repetitive mark-making experiments 

Line and repetition is definitely something I want to continue to explore. I find order, repetition and pattern calming. 




Comments

Popular posts from this blog

Phyllida Barlow at the Fruitmarket Gallery, Edinburgh

I've spent the last week in Edinburgh where I visited some great exhibitions. I went to to my favourite gallery in Edinburgh, The Fruitmarket Gallery. The first exhibition I saw here was by the Artist Gabriel Orozco. His work has had a huge impact on my own practice, his use of shape and colour really intrigued me. Upon first seeing the display of Barlow's work I was struck at how the gallery had made amazing use of the space. Her work is dominating and powerful.                                  'Set' at the Edinburgh Fruitmarket Gallery 2015                                                         Her use of materials was very clever and the combination of plastic, paper and wood etc. showed a great contrast making each individual element stand out. I was en...

Artist Talks: Simon Lewis

When I was working at the Mall Galleries there was also work on display in the Threadneedle Space as part of the Haworth Prize. The work in this part of the gallery was 12 shortlisted works from people under the age of 30 who work up in the northern part of the country. The work on display was all very different but one that appealed to me was by the illustrator and printmaker Simon Lewis. His work ‘The Headrow’, a vibrant screenprint that captured the busy environment of a street. I was struck by this piece in particular because of the process and a way part of the print has been drawn. There was a lot of detail in the architecture and people and this created a really interesting narrative. His work has inspired me to push my line drawings further by including a more variety of mark-making to create more interest in what I am drawing and adding more texture to the work.  Find more about the Haworth Prize at: http://www.mallgalleries.org.uk/whats-on/exhibitions/haworth-prize...

Artist Talks: Kate Powell

I first saw the work of Kate on thestudentartguide, where her work was featured. I was amazed at her technical ability and skill in showing narratives and emotion. I'm the same age as Kate and I think the way she has built up a following and how she chooses to showcase her work is something to aspire to. Her confidence and willing to change as an artist is something that I think people should respect. Since finishing her foundation she now has a place to study Illustration at Edinburgh, which I am very jealous about! Kate has very kindly answered some questions about her practice as I wanted to learn more about her working method and artist inspiration. What has going to art school taught you so far about you as an artist? It taught me that I was wrong about wanting to do fine art and that I'm much more suited to illustration, it's taught me not to take art so seriously, that things don't always have to be perfect and that if everyone's happy with what you...