Skip to main content

Artist Envy: Emily Beauchamp

Emily is currently studying Illustration at Falmouth University. I was shown her work by a friend who thought I would like it due to her interest with nature, collage and mark making. I have huge admiration for young illustrators whose distinct style and way of working could be that of someone who is well established in what they do. This is why the work of Emily caught my attention, because she has such a talent for combining different elements to creative exciting and emotional narratives. I already see a lot of the stuff she is producing being translated onto cards, and prints , etc. I definitely think she will go far! 

She uses media in a very emotive way. I believe this piece has been created using gauche, a medium I'm not familiar with but the use of layering and colour in this piece is particularly strong. I'm prone to liking a good mustard yellow and combined with the repetitive use of line contrasts with the organic shapes and use of green. 



Her work has such a strong use of line and repetition and this is something I want to translate into my own practice to give mark making a more representational feel. At the moment my work is very focussed on narrative and texture. I feel inspire by Emily's work to push this even further by using print and collage to create more of my own imagery.

I could rave about her work for ages! She also has Instagram where she posts about work and inspirations~


Comments

Popular posts from this blog

Phyllida Barlow at the Fruitmarket Gallery, Edinburgh

I've spent the last week in Edinburgh where I visited some great exhibitions. I went to to my favourite gallery in Edinburgh, The Fruitmarket Gallery. The first exhibition I saw here was by the Artist Gabriel Orozco. His work has had a huge impact on my own practice, his use of shape and colour really intrigued me. Upon first seeing the display of Barlow's work I was struck at how the gallery had made amazing use of the space. Her work is dominating and powerful.                                  'Set' at the Edinburgh Fruitmarket Gallery 2015                                                         Her use of materials was very clever and the combination of plastic, paper and wood etc. showed a great contrast making each individual element stand out. I was en...

Artist Talks: Simon Lewis

When I was working at the Mall Galleries there was also work on display in the Threadneedle Space as part of the Haworth Prize. The work in this part of the gallery was 12 shortlisted works from people under the age of 30 who work up in the northern part of the country. The work on display was all very different but one that appealed to me was by the illustrator and printmaker Simon Lewis. His work ‘The Headrow’, a vibrant screenprint that captured the busy environment of a street. I was struck by this piece in particular because of the process and a way part of the print has been drawn. There was a lot of detail in the architecture and people and this created a really interesting narrative. His work has inspired me to push my line drawings further by including a more variety of mark-making to create more interest in what I am drawing and adding more texture to the work.  Find more about the Haworth Prize at: http://www.mallgalleries.org.uk/whats-on/exhibitions/haworth-prize...

Artist Talks: Kate Powell

I first saw the work of Kate on thestudentartguide, where her work was featured. I was amazed at her technical ability and skill in showing narratives and emotion. I'm the same age as Kate and I think the way she has built up a following and how she chooses to showcase her work is something to aspire to. Her confidence and willing to change as an artist is something that I think people should respect. Since finishing her foundation she now has a place to study Illustration at Edinburgh, which I am very jealous about! Kate has very kindly answered some questions about her practice as I wanted to learn more about her working method and artist inspiration. What has going to art school taught you so far about you as an artist? It taught me that I was wrong about wanting to do fine art and that I'm much more suited to illustration, it's taught me not to take art so seriously, that things don't always have to be perfect and that if everyone's happy with what you...